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The Use of Photography

ebook
1 of 1 copy available
1 of 1 copy available
WINNER OF THE 2022 NOBEL PRIZE IN LITERATURE
**Serialized in The New Yorker**
An account of Annie Ernaux’s love affair with journalist Marc Marie while she was undergoing treatment for cancer, and their combined project to document images and memories.
Includes 14 color still-life photographs by the authors.
A LitHub Most Anticipated Book of 2024

“A must-read for lovers of words, images, and Ernaux herself. So. . . everyone?”—Jessie Gaynor, LitHub
“Annie Ernaux has long foregrounded physical and emotional sensations as the building blocks of her autobiographical writing. However, it is in The Use of Photography where the connection between the body and subjectivity most powerfully emerges.”—Lisa Connell in French Forum
“These photos, in which the bodies are absent, and the eroticism is only represented by the abandoned clothes, were a reminder of my possible, permanent absence.”—Annie Ernaux
Annie Ernaux and Marc Marie met in January 2003 and became lovers almost immediately. A short time later, he accompanied her to the Institut Curie, where she was having surgery for breast cancer. A deep bond formed between Annie and Marc precisely during this time of great uncertainty within Ernaux as to whether she would live or die from the cancer.
Early in their affair, Ernaux found herself entranced each morning by the sight of clothes strewn about, chairs out of place, and the remains of their last meal of the evening before still on the table. The two lovers began to take still life photographs, and to write. Their efforts to save the fleeting beauty of these moments were, as Ernaux would describe later in an interview, “material proof of what had happened there, of love.”
The Use of Photography is a defining work in Ernaux’s career, leading directly to the book that would come next, her masterpiece, The Years.
“Annie Ernaux’s work presents a breathtakingly frank, fearless, many-sided account of the female experience during the past century.”—Liesl Schillinger, Oprah Daily
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    • Kirkus

      September 15, 2024
      A Nobel Prize-winning author and her journalist lover tell the story of their affair. In 2003, Ernaux began a passionate relationship with her co-author, Marc Marie. At the time, Ernaux had been undergoing chemotherapy treatment and was about to have surgery for breast cancer. The author soon discovered that her physical desire for Marie was matched by an equal desire to take pictures of the "material representation[s]" of their sexual encounters. When she told Marie that she was photographically recording the "[clothing] compositions...that organized themselves according to unknown laws, movements and gestures," she learned that he had felt a desire to do the same. In this book, Ernaux pairs 14 of the more than 40 photos they took together with two essays, each produced independently of the other, by the author and by Marie. The photos record colorful "landscape[s]" left in the aftermath of encounters that took place over several months in multiple locations, including various rooms in Ernaux's home and foreign hotels. As they describe each "scene," the essays provide details about Ernaux and Marie's developing relationship, like how they spent their time together on the day of the photograph or the songs they chose to represent "the elusive succession of their days." With her trademark clarity and simplicity, Ernaux's essays also grapple with her struggle to come to accept both her diagnosis and the physical changes brought about by her cancer treatments, like baldness, loss of body hair, and scarring. The result of the pair's unique word-and-image collaboration is a deeply poignant yet also celebratory expression of eroticism. Luminous and reflective writing in the face of death.

      COPYRIGHT(2024) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      October 1, 2024
      On mornings-after, the lovers felt that their cast-off clothes and shoes created an "arrangement born of desire and accident" that should be documented. And so they agreed to photograph these passion scenes. They also felt the need to write about these intricate floor compositions. So picture-taking and writing became part of their lovemaking. This was 20 years ago, when Ernaux, now a Nobel laureate, was being treated for breast cancer, and journalist and photographer Marie stayed close by her side. Here they share 14 photographs and their written responses, which form a duet of eroticism and musings on time and death, disorder and art. Ernaux is bracingly matter-of-fact about sex and her body's response to chemotherapy. Marie is similarly frank, and both are funny as well as contemplative as they express feelings, describe their lives, and share memories and favorite songs. Like I Ching hexagrams, the tangles of clothing and shoes serve as a form of divination of life and nothingness, light and dark. This is an intimate, beautiful, and evocative pairing of image and word, voice and viewpoint, love and ritual.

      COPYRIGHT(2024) Booklist, ALL RIGHTS RESERVED.

    • Publisher's Weekly

      August 19, 2024
      Nobel Prize winner Ernaux (The Young Man) and French journalist Marie recount their early-2000s affair through the lens of 14 photographs in this tender and evocative memoir. The pair met in 2003, when Ernaux was recovering from surgery and undergoing chemotherapy for breast cancer. After their first few sexual encounters, Ernaux began photographing the aftermath, resulting in lush, jumbled, and erotic images punctuated with lurid red lingerie or a pair of upright shoes that seemed to suggest a ghostly presence. In alternating chapters, Ernaux and Marie analyze photographs from that period, discussing the specter of death that hung over their trysts (at one point, Ernaux bought herself a funeral plot), the sweet devotion Marie felt for his ailing “mermaid woman,” and eventually, the end of their relationship. Each author’s candor—about their sexuality as well as the importance of such an intense connection at that crossroads in their lives—is remarkable, and is enhanced rather than obscured by the framework of photographic analysis. The results are generous, steamy, and unexpectedly moving. Photos.

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